Since Udaipur is a smaller city and Nick and I have already seen our fair share of ancient temples, palaces, and fortresses, we chose to experience the diversity of India by visiting Shilpgram.
Much like the Dilli Haat in New Delhi, Shilpgram is a heritage village composed of 5 west-zone states. Its purpose is to expose the diversity of tribal cultures to the general public and foster a spirit of collaboration between rural and urban artists. This cultural complex was incredibly large with a total square area of 70 acres!
Nick and I didn’t intend to stay for so long, but there was so much vibrancy to be seen amongst the artists. I’ve attached a brief collage below to illustrate the range of work.
Credit: Nikhil Kulkarni and Myself (some are his and some are mine).
One of the things I enjoyed the most were all of the regional dances that were performed. As someone who studied traditional chinese dance for over 8 years in my youth, folk dancing continues to fascinate me. It is such a rich part of one’s ingrained heritage and it would be a true pity if these arts got lost in the sands of time.
Credit: Nikhil Kulkarni
Some of the female dancers kept inviting me to join them! I didn’t, but I did pick up the rhythm and pattern of their movements. At the end of it all, they were really friendly and invited me to take a picture with them.
Nick and I both hopped on Camels and went for a ride as well.
We finished our day with a sunset boat ride on the lake, followed by more famous dances from Rajasthan at the Bagore Ki Haveli.
My favorite dance by far was the Teratali dance. Performed by the Kamar tribe while sitting down, the woman balance a pot on their heads and clench a sword between their teeth while they use Manjeeras (cymbals) to acoustically provide thirteen different beats. The sounds made vary by the angles at which the cymbals collide, making this dance one that requires technique and precision.
Unfortunately, the seating area was less than optimal, otherwise I would have provided a video. 😦